First Métis Man of Odesa

BY MATTHEW MACKENZIE & MARIYA KHOMUTOVA

DIRECTED BY LIANNA MAKUCH

produced by Punctuate! Theatre

“First Métis Man of Odesa is such compelling — and funny — storytelling. It’s charmingly performed, and exquisitely directed and produced.”

— Colin Thomas

A LOVE STORY IN THE FACE OF A PANDEMIC AND AN INVASION.

Matt and Masha’s love spans continents, but distance can’t tame their passionate connection. After meeting on a theatre research trip in Kyiv, a Canadian Playwright and a Ukrainian artist spark up a romance that takes them from the beaches of the Black Sea to the banks of the North Saskatchewan River, through the onset of a global pandemic and the eruption of a brutal war, plus many moments of joy through it all including marriage and the birth of their son.

Winner of three Dora Mavor Moore Awards including Outstanding Direction, Outstanding Production, and Outstanding New Work. Based on actual events, this captivating real-life love story is set against the backdrop of the COVID pandemic and the Russian invasion of Ukraine. Award-winning playwright Matthew MacKenzie joins forces with his wife, award-winning Ukrainian actress Mariya Khomutova, to tell the story of their COVID courtship and share an intimate perspective on the personal impacts of the war in Ukraine.

National Tour

  • National Arts Centre (Ottawa, ON) September 18-28, 2024 | Azrieli Studio

  • Soulpepper Theatre (Toronto, ON) May 8-19, 2024 | Baillie Theatre

  • Talk Is Free Theatre (Barrie, ON) February 22-March 2, 2024 | Five Points Theatre

  • Royal Manitoba Theatre Centre (Winnipeg, MB) November 1-18, 2023 | Warehouse Theatre

  • Persephone Theatre (Saskatoon, SK) October 11-29, 2023 | Mainstage Theatre

  • The Cultch (Vancouver, BC) May 25-June 4, 2023 | Historic Theatre

  • Citadel Theatre (Edmonton, AB) April 22-May 13, 2023 | Rice Theatre

  • The Theatre Centre (Toronto, ON) March 30-April 8, 2023 | Franco Boni Theatre

  • Western Canada Theatre (Kamloops, BC) March 16-25, 2023 | Pavilion Theatre

Director’s Notes

This is a love story. And like any grand, sweeping love story, our lovers are faced with grand, sweeping obstacles that challenge their fate. They are faced with modern challenges like Facebook messaging over great distances throughout a pandemic. And like the many great love stories that came before them, Matt and Masha’s story is also set against the backdrop of war.

I have been witness to Matt and Masha’s love story from the beginning. It is only fitting that these two theatrical romantics would fatefully meet through the theatre. It was at a workshop of my play Barvinok in Kyiv that Matt and Masha first met in 2018. Matt was my dramaturg, and Mariya a workshop actor. The rest is history. It was another workshop of a new play of mine titled Alina that brought Matt back to Ukraine in 2020 prior to the pandemic. At the time, I had no idea that being their third wheel would grant me a unique perspective as the future director of First Métis Man of Odesa. I also had no idea exactly how quickly and significantly our worlds would change in so many ways just a few short years later.

When Russia’s full-scale invasion of Ukraine began on February 24, 2022, it was impossible to turn away. For so many people part of the Ukrainian diaspora, the war was and continues to be omnipresent. Mundane, routine tasks are weighted. News about it is inescapable. The cognitive dissonance of scrolling through Instagram memes followed by images of horrific Russian war crimes is an ongoing reality as the war drags on. To be part of the Ukrainian diaspora is to contend with your head and heart reeling for your loved ones in Ukraine, and striving to not fully dissociate from your safe, physical reality. As political pundits, hot takes, and ideological debates aim to dehumanize, it is more important than ever to return to stories that embrace our humanity.

This is also a love story about Ukraine. Just as Matt and Masha’s love blossomed on the cobblestone streets of Kyiv, or the ultra-romantic promenades outside the iconic Odesa Opera and Ballet Theatre, there is so much about Ukraine to fall in love with. Like any grand, sweeping love story, this one shows us that not even the greatest obstacles, like the most evil forces of war, can taint true love. Matt and Masha’s son, Ivan, is a reminder of this unbreakable spirit. Ivan is a beautiful union of two cultures whose love has created a symbol of the kind of future we are fighting for.

Слава Украïні. Все буде Украïна.

- Lianna Makuch

Members of the First Métis Man of Odesa creative team at the National Arts Centre in Ottawa, pictured with Ukrainian Ambassador to Canada, Yuliya Kovaliv.

Written and Performed by:  Matthew MacKenzie & Mariya Khomutova

Directed by: Lianna Makuch*

Production Designer: Daniela Masellis

Projection Designer: Amelia Scott

Composer: Daraba

Sound Designer: Aaron Macri

Design Consultant & Scenic Artist: Dawn Marie Marchand

Choreographer: Krista Lin

Dramaturg: Matt McGeachy

Beadwork: Maria Nelson & Krista Leddy

Stage Manager: Lore Green*

Tour Stage Manager: Amy Height*

Rehearsal Stage Manager: Kiidra Duhault

Production Manager & Technical Director: Trent Crosby

Associate Designer: Cameron Fraser

Producer: Andy Cohen

Producer: Sheiny Satanove

Associate Producer: Alyson Dicey

Head Scenic Painter: Emily Randall

Painters: Amy Powell & Ashley Hiibner

Drape Stitcher: Theatre Garage

Fabricators: art lab

*The participation of these Artists is arranged by permission of Canadian Actors’ Equity Association under the provisions of the Dance Opera Theatre Policy (DOT).